Myra Kapustina

Download Now Server 1 Download Now Server 2 Download Now Server 3 Plaisir came unexpectedly, as in between release while we waited for client's confirmation for their project. After trying a couple of different approaches, Plaisir landed as elegant modern sans serif family with 5 weights and matching Italics . With sharp triangle serifs and wide endings, Plaisir was constructed with decent stem contrast that flirt with display category. It is versatile, legible, recognizable family with fluent Italics.  Equipped with Standard Ligatures , Tabular Figures , OldStyle Figures , a few Stylistic Alternates , basic Ordinals and Latin Small Caps , Plaisir is a working horse that will suit in any required situations. Download Plaisir Font Family From Tour De Force Download Plaisir Font Family From Tour De Force

Download Now Server 1 Download Now Server 2 Download Now Server 3 Artartika contains two Regulars – one Slab and one Sans Serif. Condensed width, geometric shaped, with distinctive stem contrast, Artartika recommends itself for titles, product names, branding, but it's also fully applicable for longer text and paragraph use. Contains Extended Latin character set with Cyrillic support. Download Artartika Font Family From Tour De Force Download Artartika Font Family From Tour De Force

Download Now Server 1 Download Now Server 2 Download Now Server 3 Astrup is a rationalist sans serif typeface. Its letterforms feel like the France of the 1950s; they are very orderly, but also a bit spritely. The letters’ apertures are very small, making the counterforms in typeface feel like they are being completely enclosed within their surrounding characters. The Astrup family has six weights that range from Extralight to Bold. The lowercase letters’ ascenders rise up to the exact height of the tops of the capital letters. Each font has two versions for each numeral; the standard numerals are slightly smaller than that capital letters. The other numerals are substituted into all-caps text by the fonts’ case-sensitive OpenType feature. These alternate numerals are the same size as the capital letters. Astrup’s fonts also have a full range of superior and inferior numerals

Download Now Server 1 Download Now Server 2 Download Now Server 3 Alejandro Freitez’s first commercial typeface is inspired by contemporary serifs and newspaper typography. Calicanto is a compact typeface with strong serifs, symmetrical curves and a vertical axis. It has open counters and a generous x-height with slightly condensed characters and low contrast strokes. The design of its letters are simple (with a precise rationale), and it is ideal for combining different variables and typographic bodies, for digital and printed media. Each of the 12 variables has 750 glyphs (supporting more than 90 languages), with small caps, ligatures, lining figures by default, OldStyle and tabular, mathematical and currency symbols for each set of numerals, intelligent fractions, lower and upper numerals, glyphs sensitive to capital letters and circular numerals, among other OpenType fun

Download Now Server 1 Download Now Server 2 Download Now Server 3 Century PS Pro is a serif typeface published by SoftMaker. Download Century PS Pro Font Family From SoftMaker Download Century PS Pro Font Family From SoftMaker

Download Now Server 1 Download Now Server 2 Download Now Server 3 Century Schoolbook Pro is a serif typeface published by SoftMaker. Download Century Schoolbook Pro Font Family From SoftMaker Download Century Schoolbook Pro Font Family From SoftMaker

Download Now Server 1 Download Now Server 2 Download Now Server 3 Brava Slab is a family of 6 weights with matching italics. Designed for editorial purposes, it has a monolinear appearance with a humanist construction, open counters and a tall “x height” that give it a right personality for use in branding. Also Brava Slab have a lot of helpful features as a wide range cover of Latin languages and lots of OpenType features that make Brava Slab a useful tool for the graphic designer. A full range of numerals (included old style figures, lining, numerators, denominators, superiors, subs, circled and black circled), small caps, forty ligatures (between standard & discretionary ligatures), a lowercase superior and inferior set and a stylistic set are some of the features that makes Brava Slab a solid choice. Download Brava Slab Font Family From Rafael Jordan Downlo

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Download Now Server 1 Download Now Server 2 Download Now Server 3 Boss is a font published by SoftMaker. Download Boss Font Family From SoftMaker Download Boss Font Family From SoftMaker

Download Now Server 1 Download Now Server 2 Download Now Server 3 Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic). Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to me

Download Now Server 1 Download Now Server 2 Download Now Server 3 Author is a family of humanist sans serif fonts. They are optimized for use in modern publications – hence the the name ‘Author.’ Its letterforms are slightly expanded, which gives the counter-forms inside of them enough space to breathe, thus increasing their legibility and helps with their on-screen rendering, too. Author’s family includes six weights, ranging from Extralight through Bold. Each weight has an upright and an italic font on offer. The uppercase letters are virtually mono-linear in appearance; however, several of the lowercase letters have visible stroke contrast. The tops of Author’s strokes terminate in diagonal cuts; these are reminiscent of the broad-pen that would be used to write the humanist letterforms the typeface is based on. In Author’s upright fonts, the lowercase