Download Eurobia Font Family From Greater Albion Typefounders

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Eurobia is a family of two typefaces - Regular and Plain. They are display faces with a strongly European feel and a strong flavour of the 1920s. My suggestion would be to use them for poster or banner work, or packaging or cover design, with the heading text set in Eurasia Regular and subsidiary text set in Eurobia plain. Why not give that European flavour to your next project?

We see Eurobia as a fun typeface, for advertising products like confectionery or concerts. We had a lot of fun designing it and hope you'll like it too!

Download Eurobia Font Family From Greater Albion Typefounders

Sedhayu

Download Now Server 1 Download Now Server 2 Download Now Server 3 Sedhayu is a modern and bold sans serif font. It has a unique style and will give your design a friendly and expressive look. Sedhayu is perfect for many different projects such as logos and branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermark, special events or anything. We hope you enjoy the font and have fun! Thank You. Download Sedhayu Font Family From Kulokale Download Sedhayu Font Family From Kulokale

Download Sabella Font Family From Arendxstudio

Download Now Server 1 Download Now Server 2 Download Now Server 3 Sabella is luxurious and casual script with distinctive style that is perfect for your branding design, and will also be very beautiful in your wedding invitations and business cards and especially for your brand name logotype. Sabella has beautiful Uppercase and Lowercase, figures and ligature standards that are very realistic. Download Sabella Font Family From Arendxstudio Download Sabella Font Family From Arendxstudio

Download Size Font Family From SD Fonts

Download Now Server 1 Download Now Server 2 Download Now Server 3 Retro style is hip, so are early 20th century poster fonts. Size is based on these extra condensed letter forms. In the 19th century the need to communicate commercial messages on limited poster space brought up extremely condensed fonts creating a new typographical look. Since not really legible in small sizes these fonts nearly disappeared with the change in the commercial communication in the 20th century. For a couple of years now, these extra condensed fonts have a revival copying the exact historical appearance of its predecessors. Size, though also seeking the inspiration in the historical draft, furthermore aims to interpret this compressed look in a more vivid way by not closing in on the open counters of the round letters, but having its stroke endings slightly curved. Since other characters are de...

Myra Kapustina

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